About Me
I’ve been doing films for 30 years already. First I was charmed by the Action genre and Crime Thriller. A few years later I was invited to create a Psychological Thriller – and since that time it became my passion. Many films were made in other fields also: Drama, Thriller and even Comedy. Between the long-lasting projects, we take orders for short films and advertising videos.
The only thing – that stays the same through all these years – is my team! Sometimes when we feel that we need a subspecialist – we hire some recognized authority for consultations.
Information
- Name
- Daniele Barnard
- Age
- Golden Age
- Experience
- 30+ years
- Team
- Development, Production
- Films Shot
- 20 films / 17 short films
- Film Genres
- Action/ Comedy/ Drama/ Horror/ Mystery/ Romance/ Thriller.
Team
- Violet Walker
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First Assistant Director (1st AD)
The 1st AD is mainly responsible for scheduling on set. He wrangles talent, keeps the crew on time, and assists the director and producer. In some cases, the 1st AD also checks off the shot list, assuring lines are read as intended and the correct props are in the proper place.
- Ronnie Warner
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Director of Photography / Cinematographer
A DP and cinematographer are usually the same. Some insist that the cinematographer title only gets used when the DP is also the camera operator. Either way, the DP is in charge of the lighting as well as the camera. In some cases they work along side the lighting director
- Jody Bradford
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Digital Imaging Technician
A DIT is trained with the specific camera that is on set. They know how to manipulate color profiles to help execute the specific look needed. Often a DIT manages the media – and are also responsible for backing up cards.
- Darcy Welsh
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Camera Operator
The camera operator operates the camera. Pretty straight forward, right?
After choices have been made on color profile, exposure, and gear, the DP directs the operator with the specific framing and movements are needed. - Konrad Mitchell
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First Assistant Camera
The 1st AC is primarily responsible for pulling focus. On a typical 522 Production, the 1st AC may also be the camera operator. Along with pulling focus, our 1st AC is responsible for having batteries charged, media ready, etc.
- Anna Levine
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Lighting Director
The LD is responsible for coordinating the necessary lights needed in order to carry out the look of the film decided by the director and DP. He works directly with the director and DP to make sure the lights achieve the correct look.
- Awais Redmond
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Gaffer
A gaffer is the head electrician – the person on set responsible for executing the lighting plan for a production. They work closely with the Lighting Director and/or Director of Photography to make sure that the light hitting the subject or dressing the set is optimized.
Services
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Commercials
Social commercials, NPO organizations company films
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Long Film
Any film genres, accept the fantasy films
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Short Film
Up to 30 minutes long, short film festivals winner
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Corporate Film
For different corporate events, anniversaries, demo films
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New Media
High definition video and computer-generated imagery
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Documentary Films
Primarily for the purposes of instruction, education
Prices
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Commercials
500 USDHourly Rate
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Long Film
1500 USDOn-Demand
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Short Film
1200 USDOn-Demand
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Corporate Film
10500 USD15 min length
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New Media
7000 USD5 min length
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Documentary Films
1500 USDHourly Rate
Portfolio
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Historical Drama
2018 at the earliest
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Reportage
Short Reportage
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Romantic Comedy
2018 at the earliest
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Historical Film
2017 at the earliest
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Comedy
Comedy for TV
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Documentary Film
Currently Working
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Historical Drama
2018 at the earliest
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Reportage
Short Reportage
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Historical Film
2017 at the earliest
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Historical Drama
2018 at the earliest
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Reportage
Short Reportage
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Historical Film
2017 at the earliest
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Historical Drama
2018 at the earliest
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Romantic Comedy
2018 at the earliest
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Historical Film
2017 at the earliest
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Comedy
Comedy for TV
Production
Production
- Commercials
- Long Format
- Short Format
- Corporate Film
- New Media
- Reportage
Team Skills
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Stages
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development
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pre-production
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production
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post-production
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distribution
Events
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Aspen Shortsfest
he Aspen Shortsfest is an annual Oscar® qualifying short film festival held in Aspen, Colorado. It’s recognized festival began in 1979.
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Sundance Film Festival
This festival is the largest independent film festival in the US, with upwards of 50,000 guests annually.
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Prime Time Conference
With 25 years under its belt, the Prime Time Conference has evolved into a necessary event for leaders working in media
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ProFusion Expo
If reading the tech specs on a new camera release gets you going, you’ll definitely want to check out ProFusion Expo.
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NAB show
The annual NAB show is the grandfather of content conferences. Held by the National Association of Broadcasters.
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Los Angeles Film Festival
This annual festival is a part of Film Independent, and hosts over 36,000 people every year—it is also a qualifying festival in short films